We Own The Night (2007) [Blu-ray]
Crime | Drama | Thriller
What if your own family stood in the way of everything you worked for? Bobby Green (Joaquin Phoenix) has forsaken his name to escape his family and their tradition in law enforcement to pursue his ambitions as a Brooklyn nightclub owner. As he turns a
blind eye to the drug dealers around him, he comes face to face with the family he abandoned when his brother (Mark Wahlberg) and father (Robert Duvall) crack down on the club. Now Bobby must choose a side. Is he going to turn informant or will he help
run the biggest crime ring in New York history?
User Comment: Melville-7 from New York City, 3 June 2007 • I saw that We Own The Night received a standing ovation at the European critics screening and premiere at Cannes. Well, I can tell you at the preview screening I saw a
while ago in the US, the audience applauded enthusiastically as well. The audience was totally into this movie in a way you don't usually see anymore. Not just grooving on it, but engrossed. Reminds me of The Godfather not just the movie, but the way the
audience enjoyed it. Only reason I didn't give it a 10 was I don't give most movies at 10 unless they're like The Searcher or Vetigo. Again I don't want to give away too much about the movie because I hate now how everyone knows everything about a movie's
plot before it opens. Let's just say it's both a crime movie and a family drama. A socially conscious melodrama and a cop story. And it has a couple of great action scenes. The acting was top notch by Joaquin Phoenix, Mark Wahlberg (better than in The
Departed), Robert Duvall (always good) and especially Eva Mendes who I've never seen like this before.
Summary: Standing ovation -- Not just at cannes.
User Comment: coopkar from United States, 17 June 2007 • I caught a recent screening of this film and as a fan of thrillers I was more than impressed. The film creates a handful of true white-knuckle scenes but also accomplishes
telling a story that has weight and depth. I love when a film takes its time to develop real characters and not repeats of what we've already seen. The crime genre is so full of clichés already. This film pays homage to classics such as French Connection
while breaking new ground in its family/police drama. Phoenix, Wahlberg, Duvall and Mendes are all superb. Eva Mendes deserves a particular mention, as she has not yet been seen this way before.
Summary: Excellent!
User Comment: vostf from Paris, Fr, 6 December 2007 • On the whole I think James Gray's movies benefit from his smooth directing, no rushed and furious MTV editing. This leads to a good deal of leniency from the part of critics
(as with Night Shyamalan before it became too obvious he was shooting the same narrative structure over and over), a kind of prime for directors who don't harass the viewer with images + sounds but let the camera roll and the actors do their jobs, the
story unfold and so on.
We Own the Night starts very well, the exposure is excellent. Even though the brother confrontation is definitely not new Joaquin Phoenix is so good you just get into the story and beg for the plot to become more complicated. Oops. The problem is the
story becomes a one-way highway of the same old/same old. Joaquin Phoenix is ever so good you don't care too much until it becomes way way too much. In that respect (and lack of respect for the movie-goer) the movie ends in a lame way, rushing an happy
and clean and tidy and moral conclusion.
The last lines (see the so-called "memorable quotes") say it all. It perfectly reflects that a smooth director may be too smooth on writing. Bringing sentiments before the camera is miles away from shooting scripted sentimentalism and I think James Gray
has a problem with his characters' emotions since he is only able to play on pathos and good acting.
Summary: Strong start and dumb finish.
CSW] -2- Wasn't worth the time. I didn't find the acting to be all that believable and the plot which revolves around family loyalty just wasn't that convincing. I think this is another example where a book could get inside their heads where a movie
can't. All in all it was very disappointing.
[V4.5-A3.0] MPEG-4 AVC - D-Box 0.8/10 - D-Box added nothing to this movie; perhaps its intelligent vibration might have been better as only a very few scenes had any motion at all.
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